In the recent past, many writers have acquainted readers with the composite culture of Assam. Moushumi Kandali makes a similar attempt in The Black Magic Women, but with a stark difference. She brings her characters out of Assam and places them in the mainstream, capturing their struggle to retain their inherent ‘Assameseness’ as they try to assimilate into the larger society.
With all the shades of emotion these ten stories from the North-east evoke, the reader cannot remain a passive observer.
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